If youâve been using FL Studio for a minute, youâll have seen this beast of a list pop up when you go to load up something.
This is the FL Studio plugins list, and it shows you all the devices you have in your library.
Looks kinda overwhelming, right?
If youâre new to FL Studio, you wonât have any clue what plugins are.
Or maybe youâre looking at how to use these plugins.
You could even be looking at finding some good third-party VSTs to add to this list.
Whatever your case may be, this article aims to answer your questions. So make sure to read the whole thing to really understand plugins and be able to use them to their fullest potential.
Weâve broken this article into three main sections: Star trek mirror universe ships.
So, letâs jump into it.
What is a Plugin?
Depending on your music production journey, you might know what plugins are already. But if you donât, they are extra pieces of software you can use with FL Studio (or any other DAW).
Hence the word: plug-in.
But what do plugins actually do that FL Studio canât do?
While a majority of DAWs (like FL Studio) have great feature sets that are more than capable of creating high-quality in music, sometimes the basic functionality just doesnât cut it.
Perhaps you want to synthesize more complex bass sounds, or want to have a reverb sound with more analogue character? Maybe youâre just not having enough fun, and you want to expand your options and experiment.
This is where plugins come in â to fill the gap.
Generators, Instruments and Effects? What?
Plugins come in two varieties. The first plugin type is an instrument (FL Studio prefers the term generator) format, which is designed to synthesise, sample and produce sounds. The sounds are produced when you input notes into them through a MIDI device or on the piano roll.
These are loaded up either by dragging from the browser, or by clicking the + icon on the Channel Rack.
The second is an effect format, which is designed to process, manipulate and change the incoming sound. These plugins are added into the FL Studio mixer inserts on the right. Note that the order matters when it comes to loading up effect plugins in the mixer. If you add reverb after the delay, the reverb will be applied after the delay is applied to whatever is being inputted before that.
FL Studio includes its own plugins in some of their bundles. Because they know that plugins can add expanded functionality and creative sonic possibilities.
But the majority of plugins youâll find in producersâ arsenals arenât included with FL Studio.
Ever heard of Serum by Xfer Records? Thatâs a third-party synthesizer plugin. Plugins made by third parties are something you can purchase or download separately to FL Studio, usually made by a variety of different manufacturers.
Whatâs a VST?
Plugin? VSTs? What? All these words!
Another word used interchangeably with âpluginâ is âVSTâ. But many producers get confused here, they arenât necessarily the same thing. VST is a type of plugin format. There are a variety of plugin formats:
Many instrument plugins also have standalone versions that you can use outside of FL Studio or a DAW environment â this is usually an option when you install a plugin on your computer.
What should you use? It doesnât really matter, they all work the same and donât sound any different. Just make sure your computer supports it.
VST is the most popular and supported, but Audio Units are great on macOS because they are native to the platform.
FL Studio Plugins
As previously mentioned, FL Studio comes with a great set of plugins. In fact, itâs one of the reasons people pick FL Studio over other DAWs. These are a âNativeâ format unique to FL Studio, not VST or anything.
You can find a LOT of information on each of them online, but it requires hours of research and understanding just to know how to use them.
When I first used FL, I just wanted to get in a start getting my hands dirty, without feeling like Iâm drowning.
So letâs delve in and demystify the main ones for you. We wonât cover all of them, but weâll get to the important ones.
Fruity Reverb 2 Download
Also, most of the FL Studio plugins included have quite a steep learning curve, so we arenât going to explain the types of synthesis or processing behind each plugin, as that is a separate, lengthy discussion.
Weâll include links to other resources for the FL Studio plugins below, if thatâs what youâre after. This is a basic rundown of each pluginsâ features and interface.
Generators3x Osc
I canât think of a more basic synthesizer plugin thatâs included with FL Studio, but as they say, limitations can be powerful. Load this thing up and you can make some killer sounds.
So many people swear by this instrument, that thereâs even a challenge dedicated to it.
Itâs fairly self-explanatory, so much so that I can give you the basic rundown in a paragraph â you get 3 oscillators on which you can choose between 6 waves (saw, sine, triangle, square, noise and a strange rounded square) with each having the ability to also be a sampler.
In addition, you also get the standard level control, pan control, fine and coarse pitch tuning, detune and phase offset. Oscillators 2 and 3 come with mix controls that blend their signal in with Oscillator 1âs signal.
And thatâs it â but donât let the simplicity repel you. Play around with it and find out for yourself.
Fruity Chorus DownloadSytrus
AKA FL Studioâs premier FM synth. Whatâs an FM synth you ask? It stands for Frequency Modulation, and itâs an advanced type of synthesis thatâs able to produce some unique sounds that you canât get using other synth types.
Once again, the interface isnât anything too spectacular, and in actuality, itâs pretty daunting. In my early days of production it was the kind of thing that made me scared to click on the fruity icon on my desktop.
Since then, theyâve revamped it with a less fear-inducing design, but the overwhelming feeling you get when gazing into the interface hasnât gone away.
Consisting of 6 operators, some filters and FX, you can make an insane variety of sounds â from rip-roaring growly basses to beautiful tonal pads.
How To Add Reverb In Fl Studio 20
Most of the sound comes from the Matrix on the right, where you can see a wall of knobs. Essentially, you modulate the different operators against each other to produce different tones and textures.
If youâre after a full course on Sytrus, check out this course from Sonic Academy.
Harmless
Harmless is an incredible subtractive-additive synthesis plugin, with an array of unique features. If youâve heard of Massive or Sylenth1, Harmless is the closest native synth to those.
According to the FL Studio website, the synth was designed to have 5 main sections:
Harmless has quite a learning curve, so if youâre new to sound design, youâll probably want to follow a guide to learning a synth like this.
Note: Harmless only comes with the Signature Bundle and up
Harmor
The staple of many bass producersâ studios, Harmor is an extended version of Harmless including a resynthesis engine.
Whatâs that you ask? Well if you make a sound, you can take it, treat it as the new basis, and apply the synthesis and FX process all over again.
If youâre interested in making crazy bass sounds with this plugin, check out some of SeamlessRâs tutorials on YouTube. The stuff he makes is unbelievable.
Other features include:
You can use Harmor in other DAWS on Windows, but on macOS your stuck inside FL Studio with this one.
Note: Harmor is only in the All Plugins Bundle
Slicex
Being the bigger brother of the less-featured Fruity Slicer, Slicex is quite a capable sample slicing instrument. In a sentence: it chops up drum loops.
If the interface doesnât make it apparent, Slicex isnât feature-shy. With a variety of modulation options to alter the volume, filter, speed, velocity and way more, you can chop loops both intuitively and creatively.
Like most looping instruments, it chops them automatically and assigns them across the keyboard. Of course, you can change the chops by adjusting the markers down the bottom, while naming them for the sake of definition.
Once again, there are Edison-like audio editing features, including fade in/out, chopping, normalising and heaps more. Itâs one of those things that I recommend just getting in and exploring for yourself.
If you want a comprehensive guide to Slicex, check out this tutorial from Internet Money.
Honourable (Brief) Mentions
EffectsFruity Parametric EQ 2
A powerful yet simple EQ plugin that helps balance the different frequencies in a sound. One unique feature that helps EQ 2 to stand out is the intuitive frequency visualiser â brighter lines indicate louder frequencies. Great for both mixing and mastering.
Youâve got 7 different bands you can manipulate the frequency and bandwidth on, but also 7 different curve possibilities:
If youâre new to EQ, check out this.
Fruity Limiter
Ahh yes, that plugin that gets loaded on your master every time you open FL Studio. But what does it do?
Well first and foremost, itâs a Limiter â a device that allows no audio to pass over 0dB by applying heavy compression. Yet most people donât realise it also have a standard Compressor function, and is the ideal way to side-chain something.
Have no idea about compression/limiting? Give this a look.
Fruity Delay 3
You may be surprised to hear that this plugin is a more recent addition to the FL Studio library. Or not, because it has the number 3 next to it.
Regardless, itâs definitely an improvement on iterations one and two. You can get so many awesome delays out of this thing, with features like feedback distortion, modulation and tone control, in addition to standard features like delay time, feedback, filter, delay model and dry/wet control.
If youâre new to the land of delays, Image-Line themselves have a comprehensive tutorial on their YouTube channel.
Fruity Reeverb 2
With a reputation for itâs cheesy sound, you might wonder why Iâve included Reeverb 2 amongst the âmainâ plugins. But donât listen to internet purists â Reeverb 2 sounds as good as the person plonked in front of the DAW can make it.
Youâve got quite a number of controls here, but the important ones are: delay, size, decay, dry/wet, high/low cut and ER level. These control the bulk of the length, density, loudness, colour and shape of the reverb tail â the thing that makes your sound feel like itâs in another space. This isnât a full reverb tutorial, so if youâre after that then check this out.
Fruity Convolver
Iâm quite surprised when FL Studio users say they havenât delved into the sonic capacity of the Convolver. Maybe because the interface causes people to freak out and shut FL Studio down.
So what is it? A convolution reverb plugin â different to the standard algorithmic reverbs youâll find (like Reeverb 2). Instead of relying on the aforementioned maths to calculate a precise space, it uses a pre-existing sound called an Impulse Response (IR) and superimposes that over the input signal, taking your bedroom saws to the Taj Mahal and back.
FL Studio includes a great library of IRâs, but you can find a ton for free with a swift Google search.
Among the standard knobs and features of a reverb plugin, youâll find Edison-like audio editing tools to customize your IR exactly the way you desire, including a useful EQ section to alter pesky frequencies in the original sample.
Pro-tip: for some crazy sound design, try dragging in a sound that isnât designed to be a IR, into the sampler at the bottom. Because breaking tools is the funnest, right?
Edison
If youâve picked up FL Studio from another DAW like Ableton, this is where all sorts of audio processing and recording happens.
With a myriad of tools including fade ins and outs, normalization, looping, delay, blur (a reverb-type effect) and so much more than I can write here, youâll be playing with it for hours.
As mentioned before, FL Studio has tried to unify itâs user experience across plugins by including the same suite of editing features across the board. This way, youâre not reaching for the manual every time you want to figure out how a new plugin works.
One thing to note about Edison is that because of itâs native integration, it âovertakesâ the transport keyboard shortcuts (like play, pause and record) when being used, as this allows for a seamless recording experience.
Gross Beat
The holy grail of FL Studio to be honest. Honestly, when I first used this plugin I didnât get it. I mean, I thought it was alright, but nothing fantastic.
But after getting more into production and increasing my knowledge, you can see how practical and creative it can be.
Sidechaining, pitch shifting, stuttering, volume fading, turntable emulation, you name it.
Yet this is all achieved by drawing an envelope for both the pitch and volume over a defined period of time (e.g. 1 bar).
Note: Gross Beat only comes with the Signature Bundle and up.
Effector
While itâs no replacement for a dedicated effect type, Effector is a fun way to get creative with your processing. Combining phasers, reverbs, distortions and pretty much every effect type into one plugin, it allows intuitive modulation of parameters on an X-Y pad, with a customisable mod rate.
Think of it like a discount Turnado, Effectrix or Glitch 2. Good for some applications, not so much for others, mostly because thereâs not too much to the plugin.
Vocodex
Yoy-bass lovers and vowel-sound fanatics â this is your plugin.
Vocodex is an advanced Vocoder plugin. Iâm not going to take the time to explain in depth what a vocoder is, but essentially it uses a voice (modulator) to modulate a carrier, which can be a synth or any sound.
Itâs how you get those robot-esque sounds in many of Daft Punkâs tracks.
Except Vocodex is like that on steroids. You can change vowel sounds, make it sound like multiple people, and way more.
Here is a simple guide on Vocodex if you want to dive into it.
Maximus
Multiband compression and limiting to the next level. Maximus is (mostly) a mastering plugin that makes things sound super loud.
It has 3 bands, for low, mid and high, and then a master processing that comes after all three. Each band has its own visualizer and set of controls, like gain, attack and release, and the graph on the left, which represents the ratio and threshold.
Maximus requires a decent set of prior knowledge before using it, like understanding an EQ, compressor and limiter, so if you want to dive into it, check out another video from Seamless.
Honourable Mentions
Third-Party Plugins
Beyond the many included plugins, there are an infinite number of free and paid options made by a variety of manufacturers. Youâll never be without plugins again, really.
If you donât know how to add them to your library, check out our beginnerâs guide to FL.
One recommendation here is to be careful â itâs easy to go overboard with plugins that youâll never use, and you could waste a lot of money and kill creativity. Think about each plugin before you add it to your studio.
Paradoxically, adding a new plugin to your toolbox can be a great way to spark inspiration. So letâs take a look at some options.
Free PluginsXfer OTT
So you want your sounds to be super-squashed? Like over-the-top squashed? Then this is the compressor for you.
Modelled off the âOTTâ Multiband Dynamics preset in Ableton, this plugin brings the unique texture to any DAW, including FL.
Includes gain control, 3-band threshold control, time and depth controls.
Voxengo Span
Itâs hard to come across a decent spectrum analyzer. Especially one thatâs free.
Span is incredible for the price (free) and has all sorts of functionality, including FFT time customisation, pitch and frequency analysis and multiple spectrums from different audio sources. Super cool.
u-he Tyrell N6
I had to include a free instrument, and Tyrell is insanely great value as a free plugin, because itâs synthesis engine is premium-level quality.
Yes, itâs simple and compact, but thatâs all you might need. Check out some of the presets on this thing, theyâre actually interestingly good. The filter module on this thing is also adapted from Diva, u-heâs top-of-the-line analogue emulation synth. So donât waste this one.
Paid Plugins
While there are numerous free plugins that are sufficient for both making good music and sparking creativity, sometimes you need something thatâs had the time and effort worked into it.
The problem with free plugins is that theyâre hit and miss, whereas if you buy something, youâre a lot more likely to get utility out of it. Not just because there is a financial incentive for the company in selling something of value, but also because there is also a financial investment on your part, giving you the kick up your producer ass you probably need to make music.
Hereâs some popular and high-quality options on the market:
Xfer Serum
Itâs both number 1 on Splice and the go-to synth plugin in many electronic music producersâ studios for a reason. Itâs damn sick, thatâs why.
Serum is the brainchild of Steve Duda, a producer and software engineer who runs Xfer Records.
Basically, itâs an advanced wavetable synthesizer with subtractive, additive and FM capabilities all built in, and thatâs only scratching the surface.
Whatâs a wavetable synthesizer? Imagine you could tell your oven to make any food you wanted ever. Thatâs the culinary equivalent of Serum.
You can import any sound and turn it into a wavetable, by splitting the sound into series of audio cycles that get repeated and scanned through. Kind of like making a stop motion film and putting all the pictures together at the end, but in reverse.
You can either buy or rent to own Serum, which is a pretty sick deal. So click the link above to grab it. We also recommend it for EDM Foundations.
iZotope Ozone 8
AKA mastering made easy all in one plugin. Ozone is a suite plugin, meaning it rolls a lot of the features from a group of standard plugins into one simple interface.
It comes in a few different versions, but at the heart of it, the result is the same â quality mastered audio.
Ozone has some crazy futuristic features that I should mention, like Tonal Balance Control (which is basically automatic EQ), Spectral Shaping (removes frequencies surgically per band) and Track Referencing per section. Makes some tedious mastering tasks too easy.
To sum it up, Ozone includes the following modules (they are standalone too in the Advanced version):
Once again, Splice offers the option to either buy or rent to own Ozone, so click on the link to get to their site.
Native Instruments Massive
Although itâs a bit older (and itâs about to get a revamp), Massive was the centre of many music producersâ studios for years and years, responsible for many synth sounds. And it still is for many people, remaining at #11 on Splice.
Itâs a wavetable synth, like Serum, but without the crazy visuals and custom import options. Itâs got some great, unique filters and other processing options though, making it great if you like a bit of restriction.
Valhalla VintageVerb
One of my personal favourite reverbs, Valhalla VintageVerb is insanely good for thick, retro-style reverb.
It can emulate a 1970âs colour, a 1980âs colour or a NOW colour, which texturizes the reverb in different ways. It also has a bunch of different modes for different sounding spaces, and a myriad of presets for different creative needs.
While youâre at it, you should just check out all of Valhallaâs reverbs. Theyâre all $50 each.
Other Resources
If you didnât know, there are literally thousands, if not millions of free and paid plugins out there for FL Studio, made by hobbyists and companies alike. Here are a few resources that curate them well. Be warned though, youâll find both gems and garbage in these sorts of places.
Enough Plugins?
Ok, thereâs quite a few options for you now. So go check out some of these plugins, load them up into FL Studio and be on your way. Remember to check out our music production software guide if you need more though. You can cop it in a PDF format too, if youâre into that.
If we missed something important, then let me know at [email protected].
Fruity Loops (FL Studio) is a full-featured music production environment capable of multi-track audio recording, sequencing and mixing for the creation of professional quality music tracks. With VST & DX hosting, a flexible 99 insert-track mixer, advanced MIDI, DX and ReWire support no musical style will be beyond your reach. Songs or loops can be exported to .wav, .mp3, .ogg or .mid format.
What can FL Studio do?
Changes in FL Studio 12.2:
Note: The FL Studio installer uses the OpenCandy (optional) software, you should pay close attention to avoid installing unwanted products.
Download: FL Studio 12.2 | 603 MB (Shareware)
View: FL Studio Homepage
In this article, I focused on a fairly comprehensive list of free reverb VST plugins, and again, youâre the one to decide which is the best, or suits you and your needs.
A reverb effect, in brief, is how a sound is reflected off different surfaces before reaching the listenerâs ear.
The reverb has become an essential part of the music producerâs tools, playing a vital role in modern music productions. Used with care and particularly with knowledge, it may be your best friend, simply turning the mix in a real gem; but if not used properly, it can completely alter the mix, in the best case making everything sound like karaoke. :)
The reverb is perfect to enhance or modify the sound to seem larger, distant or ambiental. But that does not mean it can be used anywhere and anyhow, for example avoid using it on a kick drum, the result will be muddy and destructive for the other sounds in the mix, there are other treatments for this, like compression and EQâing. Nonetheless, there is not a general rule in music production, as long as what you create sounds good and doesnât give headaches to the listener.
Our list of 21 best free reverb VST plugins:
TAL-Reverb-4 (Windows/Mac, VST/AU) by Togu Audio Line is an easy-to-use reverb plugin drawn from the high quality reverb implemented in TAL-Sampler. It features a very diffuse and modulated vintage reverb sound, being capable of fast build up time, also with long reverb sounds. Works on almost every audio material and is well suited for modern music productions.
OldSkoolVerb (Windows/Mac, VST/AU) by Voxengo is a freeware algorithmic reverberation for professional music production applications, and implements a kind of âclassicâ stereo reverb algorithm, the result being a very clear spatial image that blends well with the mix. It allows you to achieve reverbs ranging from plate reverb to room reverb and hall reverb sound. OldSkoolVerb works best with vocals, piano and pads.
Freezechamber (Windows, VST) by Synthescience was designed to be a straightforward reverb processor to bring that desirable spacious touch into your tracks with minimal tweaks. The Freeze switch enables the user at any moment (while the Verb is processing) to hold the process into a suspended state that tonewise may resemble some sort of synth tone.
Togu Audio Lineâs TAL-Reverb-2 (Windows/Mac, VST/AU) is a free, stereo plate reverb VST effect for Windows. This little plugin with its clean, bright & metallic feel is perfect for vocals and percussions. TAL Reverb-II is the most popular reverb from Togu Audio Line, and combines the retro sound of TAL-Reverb-I with additional features.
Ambience (Windows/Mac, VST/AU) is a popular free reverb released years ago by Smartelectronix, and still rivals the quality of the best commercial reverbs. Ambience was previously a commercial product, but now is completely free and available for instant download. With a big library of factory presets and plenty of customizable parameters such as reverb gating, decay, shape, eq and damping, this free reverb plugin is a must.
GlaceVerb (Windows, VST) by DaSample is a free reverb plugin which implements the Residual Vector Modulation (RVM) proprietary algorithm developed to calculate the deformations, the vibrations and the acoustic response of surfaces and materials. You can set surface parameters (texture, absorption, reflection), density control (from flat to extreme reverberation), and adjust size, bass, dry and wet.
Lisc-verb (Windows, VST) by Saltline is meant to create space, from simple ambience or suggesting a sounds physical boundaries to other wordly effects. The free delay/reverb plugin can be used aggressively or with sensitivity. You can route the incoming audio signal to the pre-out filter or directly to the output; the signal sent to the effect section can also be sent completely dry or through the first filter.
Cinematic Reverb (Windows, VST) by gregjazz is a simple free reverb VST plugin designed with cinematic and ambient in mind. Its main characteristics are the tremor volume and tremor speed faders, which add tension and presence to incoming audio. The depth and stereo-ness makes it very suitable for realistic ambient soundscapes.
Tila2 (Windows, VST) by signaldust is a free room reverb plugin. It has settings for predelay, mid-frequency reverb time (RT60), initial diffusion and roomsize of the model, lowpass (high cutoff) and highpass (low cutoff) filters, and an output level control for wet-signals. Tila2 is not for people looking for hall-style algorithms.
Sanford Reverb (Windows, VST) by Sanford Sound Design is a true stereo reverb capable of simulating everything from small rooms to giant cavernous spaces. With its dense, clean, and crisp sound, Sanford Reverb is perfect for most situations. The filter section together with left and right input channels let you shape the reverb sound to simulate almost any room, while modulation makes the reverb animated and lively.
Modern Flash Verb (Windows, VST) by Antress Modern Plugins is an easy to use free reverb VST plugin for Windows. Its main features are Power On/Off button, Send mode On/Off button, input control (-6 to +6db), level control (relative reverb time) and room size control (box to infinity).
SIR1 (Windows, VST) by SIR Audio Tools is a stereo reverb VST effect plugin that works with impulse-responses. Impulse-responses are generated by recording short broadband signals and their corresponding room-reflections. SIR1 has controls for predelay, attack-time, length and stereo width of the impulse response, as well as features such as Stretch, FFT EQ and Auto Gain.
Variety Of Soundsâ epic-Verb (Windows, VST) digital reverberation simulator aims at both tight small room and ambience effect simulations, and is well suited to modern drum and vocal productions up to large & epic halls in the style of high quality outboard gear.
TAL-Reverb-3 (Windows/Mac, VST/AU) by Togu Audio Line is an easy to use stereo plate reverb. TAL-Reverb-3 is the replacement for TAL-Reverb-II and has several improvements as an optimized GUI and some changes in the algorithm. It has a simpified EQ section, a meter display and shows actual slider values. The reverb has its own character and produces a very diffuse plate.
Microverb VST (Windows, VST) by LongSound is a close reproduction of Alesis Microverb cult digital reverb unit. Like the hardware, it has controls for reverb type (large & small), reverse and gate. You can also adjust input, mix and output amounts.
REV-B (Windows, VST) is an easy to use and intuitive free reverb VST plugin by Samsara Cycle Audio. You can adjust dry/wet signal level, width and dampen; the reverb side Eq section has low, mid and high cut & boost. Its main feature is a graphic representation of the reverb room, where you can adjust in an intuitive way the size and pan. MIDI learn is also available.
TimeVerb (Windows/Mac, VST) by GSi Genuine Soundware and Instruments is a simple digital stereo studio reverb effect with only five knobs, very easy to use, light on CPU and memory and MIDI Learn feature. You can adjust dry/wet, size, decay, spread and tone. TimeVerb uses same algorithm like the commercial Electric Grand EG70 from same GSi.
Mutant Reverb (Windows, VST) by Greg Schlaepfer is an unusual reverb unit with realtime LFO-modulated parameters for crazy reverb effects, including parameters to entirely warp, mutate, and scratch the reverb. This free reverb VST plugin is perfect for creating sound effects, ambiences, but also evolving pads and backgrounds.
RoomMachine 844 (Windows, VST) by Silverspike is a real time, digital audio room simulator capable of capturing the characteristic spacial sound of natural rooms. RoomMachine 844 is not a reverb effect that delivers long, silky reverberation tails, instead it focuses on early reflections determined by the position of sound source and listener. Operation is in full stereo and all processing is performed in high quality, 32 bit floatingpoint precision. An easy to use interface with realistic, animated knobs gives you the look and feel of a true machine.
Classic Reverb (Windows, VST) by Kjaerhus Audio is a nice and smooth reverb that does a good job on almost any instrument. It can be adjusted to sound like most any acoustic space, ranging from a small shower to a large concert hall. Its features are: adjustable room size and damping, low cut filter, host synchronization, presets and low CPU usage. Classic Reverb supports sampling rates up to 96kHz and has full VST automation.
MuVerb (Windows, VST) by MuLab is a versatile and nice sounding free reverb VST plugin. MuVerb has controls for decay, wet/dry & damping and sports highpass/lowpass/bandpass filters. For immediate use, this little plugin comes with 10 factory presets.
If you work with music audio at all, then you've probably heard of FL (Fruity Loops) Studio from Image-Line. It's been available exclusively on Windows since it came out in 1997. Big name music producers use the software, including Metro Boomin, Hit-Boy, Vinylz, Martin Garrix, Porter Robinson, and Murda Beatz.
After two decades, FL Studio is finally available on Mac with FL Studio 20. Obviously, this is the biggest news about the new version, but it includes some fantastic new features too.
With FL Studio 20, users get support for time signatures, freezing certain clips to free up CPU, and having the ability for multiple arrangements. With the multiple arrangements feature, users may work with different variations of a project at once.
For those working in the music industry, the release of FL Studio 20 is huge. You can get the most basic version of FL Studio for $99. If you want the complete and comprehensive version, that will run you a whopping $899. Be warned though â while the $899 version comes with a variety of VSTs, only some of them are cross-compatible with Mac.
If you purchase a copy for FL Studio, it includes both Windows and Mac. Current customers could just download the Mac version for no extra charge. And most importantly, all projects are compatible between both the Mac and Windows version of FL Studio.
While not all of us are music producers, we understand that Fruity Loops is a well-known and trusted name in the industry. We never thought we'd see the day that it comes to Mac, but here we are.
Image-Line announced back in 2013 that they were working on a Mac version, and released a version in 2014 that never went anywhere after that. The reason for the delay in coming out with a Mac version is due to the fact that FL Studio was originally made with the Delphi programming language, as it's more geared for the Windows OS.
If you're interested in purchasing FL Studio 20, you can do so directly from their website.
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